Fiction’s Fearless Females: Dana Scully

Kalie Zamierowski, , , , , , 1 Comment

By: Nancy of Graphic Novelty²

In celebration of Women’s History Month, I have joined up with some other amazing bloggers to celebrate! This is the fifth year that I have participated in this series with Michael of My Comic Relief, Kalie of Just Dread-full, and Jeff of The Imperial Talker and this year I choose FBI Special Agent Dana Scully, MD, of The X-Files fame. This iconic role began in 1993 and spanned eleven seasons and two movies over the course of twenty-five years before ending (for good?) in 2018.

While most of my entries (Captain Kathryn Janeway, Lieutenant Nyota Uhura, Doctor Beverly Crusher and Counselor Deanna Troi) have revolved around Star Trek, this year I added Dana Scully to my roster, which also included Sarah Connor from the Terminator movies. All of these women are fearless in one way or another, but let’s dive into why Scully stands out!

The X-Files became a breakout science-fiction hit on the Fox Network. The show became must-watch tv for a legion of fans before shows were on demand and could be watched whenever you wanted. I distinctly remember watching the first season while I was in college, crowded into a room with my friends. I found this young professional woman an inspiration as I was on the cusp of entering the workforce myself.

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Fiction’s Fearless Females: Dana Scully

Red’s Retaliation: The Untethering of a Subterranean Revolutionary – Fiction’s Fearless Females

Kalie Zamierowski, , , , , , 2 Comments

               Dear readers, gather around the campfire—okay, or the computer screen—as I regale you with a story.  Throughout time, we’ve been entertained with tales of heroes—the Mighty Achilles, Sir Gawain, Beowulf…Spiderman, Superman, Antman, Xena the Warrior Princess…and the list goes on.  I’m here today, however, to discuss a different hero—a single woman who, at a young age, was relegated to a cold, imprisoning underground lair not by any evil villain, but by her own image, staring back at her in a funhouse mirror.  For years, the subterranean woman lived among her subterranean people, a group of have-nots who were tethered to those in the world above, who “lived the lives” of those above ground, albeit without all the artifacts and accoutrements associated with living.  Angry at her fate, this young woman grew up and devised a plan, inspired by the image on a t-shirt, that could be executed with a mere lighter and a few pairs of scissors.  The woman planned not just to take over a city, a state, or a nation, but, with the help of the others who lived with her underground, to take over the world, to re-populate the world above ground with her enslaved, tethered people.  She did not want fame, power, or fortune—merely justice and the warm light of the sun, for herself and those she lived among.  Thus, with nothing but cunning brilliance, a few dull sheers, an eccentric family, and some kickass dance moves, a young woman and her family entered the “ordinary world,” intent on inhabiting it by dominating it.

Editorial use only. No book cover usage. Mandatory Credit: Photo by Universal/ILM/Kobal/Shutterstock (10162635c) Lupita Nyong’o as Adelaide Wilson/Red ‘Us’ Film – 2019 A family’s serenity turns to chaos when a group of doppelgängers begins to terrorize them.
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Red’s Retaliation: The Untethering of a Subterranean Revolutionary – Fiction’s Fearless Females

Xena the Warrior Princess: Fiction’s Fearless Females

Kalie Zamierowski1 Comment

By Michael J. Miller of My Comic Relief

It’s Tuesday March 8th – International Women’s Day 2023! Once again I’ve teamed with other bloggers – Kalie of Just Dread-full, Nancy of Graphic Novelty2 , and Jeff of The Imperial Talker – to celebrate some of our favorite female characters in all of fiction. In a wave of ‘90s nostalgia I decided to write about Xena this year. How has it taken me five years of doing this series to get to Xena?!!? Xena: Warrior Princess ran for 134 episodes over six seasons from 1995 through 2001. Starring Lucy Lawless as Xena and Renee O’Connor as her best friend Gabrielle, the show took hold of pop culture in a way few things have in my lifetime. It left a lasting impression, too. As I told everyone who I was writing about this year I kept getting the best responses. “Ahh! I loved that show!” “She was my hero!” “I loved Xena!” “I watched her show all the time!” With Xena: Warrior Princess premiering when I was in seventh grade, Xena wasn’t just an iconic character for me; she was also archetypal. In many ways, Xena formed my understanding of a “fearless female hero.” She was my first fully fleshed out example. She wasn’t part of an ensemble cast. She wasn’t guest starring in another male hero’s show. Xena rode alone (well, with Gabrielle of course!) and there was nothing she couldn’t do.

So I invite you, dear reader, to wander down this road of memories with me as I celebrate one of the most iconic and important heroes I’ve ever met. (And if you wanna let out your best rendition of Xena’s famous warrior yell as we go, feel free! I won’t tell anyone ;D. I’ve been doing it again for weeks now, too.)

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Xena the Warrior Princess: Fiction’s Fearless Females

Skinamarink: There’s No Place Like Home (The Spoiler-Filled Account of a Horror Phenomenon).

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For some horror fans, Skinamarink was a bust—a waste of one hour and forty minutes on this beautiful, mysterious earth.  The same security guard stood outside the theater both times Michael and I saw it, and he was aghast that we saw it twice.  Certainly, some of the theatergoers liked the film, based on post-movie conversations, but others responded with a resounding, “it sucked,” and moved on with their lives.  As for me, well, I can’t seem to get that monster out of my mind, to echo the title of a Joan Didion essay (although to be honest, I don’t remember what that essay was about).  Indeed, the “monster” in the film is a diabolical force that takes over a family’s household.  And it’s a diabolical force that’s incredibly well-conveyed—so much so that I have concluded this is one of the scariest movies I’ve ever seen.  Given, however, that the whole movie is a sequence of fuzzy camera stills, I’m quite interested in considering why I found it so scary.  That is, at least, (part) of what this blog post is about.  I haven’t written casually about horror in a while, but my most frequent horror-writing tendency has always been to highlight the main things I have to say about a film (even when they’re disconnected) and discuss them in my blog posts.  That is, then, what I will do here.  To that end, here are my thoughts on Skinamarink, a landmark horror film that I would situate as a genre-bending classic.

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Skinamarink: There’s No Place Like Home (The Spoiler-Filled Account of a Horror Phenomenon).

Brooding Men and Unholy Births: Parthenogenesis and the inter-generational transmission of abuse in The Brood and Men.

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                I sat on Michael’s couch for a while tonight, next to his wise, oversized unicorn, Justin, biting my worn-down acrylic French tips and oscillating between potential writing projects.  I settled on a blog post, since it’s been quite some time since I wrote on my blog, and I decided to put a classic 1979 Cronenberg horror movie (The Brood) in conversation with the recently released horror film Men because they were both on my mind, and I couldn’t decide which one to write about.  I’m finishing up my section on The Brood for chapter two of my dissertation, and I went to see Men with Michael, Jaelyn, and Ryan a few weeks ago, a riveting film that we followed up with a long conversation outside the theater in the cool Erie late-May weather about what it all means and how it—Men—re-enacts contemporary phenomenon.

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Brooding Men and Unholy Births: Parthenogenesis and the inter-generational transmission of abuse in The Brood and Men.

Fiction’s Fearless Females: Ellie and Sandie from “Last Night in Soho”

Kalie Zamierowski, , , , , , , 1 Comment

Every year a group of bloggers and I write about fearless fictional women to celebrate International Women’s Day. Each of these bloggers will be featured on my blog this year. The blog-a-thon started with Michael of My Comic Relief and, after my post, will go on to feature Nancy and Kathleen of Graphic Novelty2 and Jeff of The Imperial Talker. Here’s my contribution to the Blog-a-thon this year!

Soho 1

                Edgar Wright’s Last Night in Soho opens in the warm home of a quaint British town, a home where main character Eloise basks in her vintage-inspired bedroom listening to music from the 60s.  The opening scene is so reminiscent of life sixty years ago, in fact, that we may suspect that we are in 1961, not 2021, and because of Wright’s ability to establish a scene we may also feel like we’re temporarily inhabiting a much more idyllic time period than our own.  Certainly, that is what Eloise/Ellie (Thomasin McKenzie) imagines, the main character who we meet in the film’s beginning.  Ellie has just been accepted to fashion school, and we get the impression, based on her excitement, that a glittering life in Great Britain’s fashion hub looks just as perfect, just as idyllic, as the 1960s do in her eyes.  But sometimes attractive surface appearances mask a more insidious lurking reality—a fact which may be true of Soho in general, and is definitely true of Soho in the 60s, a reality that Ellie will soon find out.

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Fiction’s Fearless Females: Ellie and Sandie from “Last Night in Soho”

Harley Quinn and Poison Ivy – Fiction’s Fearless Females

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By: Michael Miller at MyComicRelief.wordpress.com

JustDread-full’s Note: Every year, a handful of bloggers and I celebrate International Women’s Day by blogging about fearless women in fictional stories during the month of March. Traditionally, I’ve only featured my contribution to the blogathon on my blog, mostly because my blog tends to have a narrow focus. But, “tends to” is the operative phrase, here: I realized that I’ve posted about music, politics, and non-horror books in the past, so why not feature excellent, thoughtful, thematic content by other blogs on my own blog, even if the content isn’t directly related to the horror genre? So, this month, you’ll see a lot of posts from other bloggers about fearless women in fiction, starting with a post from an awesome writer, and one of my best friends, Michael Miller. Enjoy his post, and get ready for more features about fearless women throughout the month!

It’s International Women’s Day and for the fourth year in a row I’ve teamed up with some fellow bloggers – Kalie of Just Dread-full, Jeff of The Imperial Talker, and Nancy and Kathleen of Graphic Novelty2 – to celebrate some of our favorite female characters in all of fiction.  This year I was having trouble deciding on who to write about.  I wanted to rewatch Harley Quinn on HBO Max and read Tee Franklin’s Harley Quinn the Animated Series: The Eat. BANG! Kill. Tour but should I write about Harley Quinn or Poison Ivy?  Then it hit me!  The entire show (and comic which serves as Season 2.5) is anchored in their relationship.  I would be hard pressed to write about one without writing about the other.  Plus, for a series celebrating “fearlessness,” it’s within their friendship where Harley and Ivy find and demonstrate the most incredible courage.  Standing beside each other, they (ultimately) own and face their greatest fears.  So I’m writing about Harley and Ivy and the type of friendship we should all be so lucky to have.

Given the focus of this piece it’ll have major spoilers for S1&2 of Harley Quinn as well as light spoilers for Tee Franklin’s (as brilliant as it is beautiful) Harley Quinn the Animated Series: The Eat. BANG! Kill. Tour.

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Harley Quinn and Poison Ivy – Fiction’s Fearless Females

AHS In Context: American Horror Story Asylum and the Slasher Phenomenon

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For my dissertation right now I’m writing a chapter on Psycho.  I’ve written about Psycho on this blog, and I think it’s a fascinating work, but my study of the film led me yesterday to some interesting musings about American Horror Story Asylum: 2, a tv show that takes the slasher phenomenon head on and, arguably, indicts the lineage of violence that provoked it.  Psycho and AHS Season 2 are remarkably and intriguingly different, and I will examine their differences more in this blog post.    

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AHS In Context: American Horror Story Asylum and the Slasher Phenomenon

Saturday “Slash-back”: Resonant Violation and My Young Obession with Scream (1996).

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Scream One

I don’t remember how many horror movies I’d seen when Scream first came out in theaters, but I’d probably watched at least Kubrick’s The Shining and Coppola’s Bram Stoker’s Dracula – the first two horror movies I recall seeing – in the tiny t.v. room of my family’s old house on East Gore Road before settling down in the theater to see Wes Craven’s post-modern masterpiece.  The original Scream came out in 1996, when I was twelve years old.  I don’t remember the “build-up” to the film the way I remember the anticipation preceding, say, the 1999 film The Blair Witch Project (and my concomitant let-down when I was less than scared by the film), but I definitely remember the general reaction to the shockingly grotesque introduction that the film provides.

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Saturday “Slash-back”: Resonant Violation and My Young Obession with Scream (1996).

No Sweet Dreams about Nightmare Alley

Kalie Zamierowski, , , , , , , 1 Comment

nightmare-alley-2

      I am writing about the unsettling new Guillermo Del Toro film at 5:22 a.m. on Christmas morning because after an eight-month hiatus, it’s the only time I’ve been able to set aside for any reasonable amount of “extra” writing or “pleasure” writing.  I haven’t slept all night, because for the first time in a long time, I’m setting the day aside (Christmas) to do whatever I’d like to do, among and between zoom calls and visits with people and things of that nature.  It is a fitting reflection of my life, I think, that I plan on writing about deceit, manipulation, murder, and our innate fascination with “difference,” vaguely signified, at 5:30 a.m. on Christmas morning.  Indeed, if I had a definable brand, I think this post would reflect it quite clearly.

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No Sweet Dreams about Nightmare Alley