
I hadn’t realized the deficit until I saw the film, but it had been an astonishingly long while since I’d felt uneasy and mildly nauseated for almost two hours. You see, most American horror does wonders with jump scares and shock elements, but the Austrian-created Goodnight, Mommy starts by planting the bud of mild unease somewhere in your mind and in your gut, and then manages, assiduously throughout the film, to water and nourish that bud. By the end – at least, if you’re anything like me – you’re burying your head in your boyfriend’s shoulder (okay, a little pathetic, but in my defense, the film was very unsettling) and peeking up at the screen with a timid, wary eye. Continue reading “Goodnight Mommy: The Spoiler Free Review”