I live diagonally across the street from a cemetery. On my more or less daily quarantine walks (note: I started writing this piece in mid-March 2020) I circle the suburb across the street from me, and I consider, often, walking into that sprawling, silent space of the graveyard, navigating the maze of granite and marble while I both recognize the (ephemeral, fleeting) moment and admit, to myself, that a headstone that will stand in for all the components of my life is my irrevocable fate. I’ve dreamt about graveyards multiple times; in my dreams they represent the bleak and macabre, but also the unavoidable. As a child I used to bemoan not just my inevitable death but eternity; the prospect of endlessness was too frightening to fully accept. I believe, now, that time is a construct that makes life more comprehensible to finite beings; to that end, eternity is less the condemnation of disastrous endlessness and more a contrived concept that we use to try to understand the workings of a universal consciousness that is always beyond our complete grasp. Of course, I hadn’t considered all that around age seven or eight, when my mind was reeling with a problem that resisted a solution: an eternity of anything sounded awful, but there was no alternative to eternity. Even if humanity disappeared (a terrifying thought), time would still go on – and there was at least some possibility, I reasoned, that my soul would have to experience eternal time. If not, eternal nothingness sounded even scarier.
Well, Michael and I sat down to write our second genre mash-up. Instead of placing the original Ghostbusters in The Shining’s Overlook Hotel, we chose to work with the hugely popular, always hilarious Deadpool and placed him in the dreams of Nancy Thompson, main character of Nightmare on Elm Street, to help banish the infamous Freddy Krueger. We have yet to determine what our third series installment will be, but since this was, again, very fun to write, we’re very much planning on creating more! If you’d like to check out our first genre mash-up on The Shining and The Ghosbusters, feel free!
So yesterday, Michael and I spent a fair bit of time flexing our creative muscles and writing a The Shining Meetsthe Ghostbusters, a mashup that mixes the relatively dark Kubrick version of King’s canonical horror story with the beyond famous, original Ghostbusters franchise (although the new female Ghostbusters gang will likely be featured in later series installments). In other words, the blog has a new feature: genre mash-up fan fiction. Our version of The Shining, with the intervention of The Ghostbusters, has a bit more levity than the original. And Michael’s masterful knowledge of The Ghostbusters, creativity, and quick wit helped animate and bring them to life. We hope you enjoy. We had a lot of fun with this, so there’s likely more fan fiction to come….
A month or so ago on Just Dread-full, I wrote about my unfortunate collision with the famed chipmunk song as a child, which I categorized as my first fright. I then invited Michael, author of My Comic Relief and frequent contributor to my site (and, okay, my boyfriend) to write about his first fright, which happens to be the Ghostsbusters II movie. While I ultimately hope to have other contributors augmenting this series with their first frights (ahem, ahem, if you’re reading this, I hope you know who you are), in the interim, I thought I’d continue the theme by writing about another one of my earliest memories of fear, though technically it’s my second fright (but let’s not get caught up on technicalities). I was absolutely petrified by Large Marge’s dreadful tale and awkward transformation into an animated character in Pee Wee Herman’s Pee Wee’s Big Adventure.
Even diehard fans of fright and gore sometimes need to kick back and savor a more lighthearted classic. Enter: The Lost Boys. Featuring both of those famous 1980’s Coreys – Haim and Feldman – The Lost Boys preceded Twilight in diverging from Dracula and taking the vampire myth to new heights. Continue reading “Vamped Out Again: Losing it Over The Lost Boys”→