As a child, I was mildly afraid of a lot of things—dark basements, mean dogs, the Wicked Witch of the West and her flying monkeys—so it’s always a bit difficult for me to think of one thing that scared me, or at least one thing that has a decent story behind it. Then I remember the time my mother and grandmother dragged me on a ghost tour in Gettysburg, PA when I was about ten years old.Continue reading “What Scares Us: Briana’s First Fright”
It seems only appropriate that my first fear is attributed not to a George Lucas film, but instead a film from his friend and early rival, Steven Spielberg.
Oh, I know what you’re thinking – Jaws. After all, I live in Massachusetts where Jaws was filmed and we have great white sharks often roaming our nearby beaches in the summer.
No, my friends, you are wrong. Instead, my first fear that I can remember is E.T.Read more
W. Scott Poole quotes Judith Halberstam, who calls the monster a “meaning machine.” This observation seems to suggest that the monster is always overdetermined – that the monstrous body in a particular work can mean a variety of things in any given time and place. Poole agrees with Halberstam when he argues: “The subject of monsters contains too much meaning” and goes on to observe that “the very messiness of the monster makes it a perfect entry into understanding the messiness of American history” (xv). In Monster Theory, Jeffrey Jerome Cohen lays out the seven theses of the monster, and his first theses is that “the monster body is a cultural body” (4). Cohen also believes that we can read the monster, but the monster’s meaning always has a basis in the culture that surrounds it. While Poole asserts that monsters are indisputably real—created by material circumstances and producing material consequences – Calafell, who bases her readings heavily on Poole and Cohen, find the monster a useful metaphor for describing problematic identity relations in the United States; she seems to embrace both a metaphorical reading of the monster and the contention that monsters can be very real, at times.Continue reading “Navigating Norman: The Serial Killer Monster as Meaning Machine”
Anthony Perkins is Norman Bates. Point blank. There are no two ways about it. Except, of course, when he isn’t Norman Bates. And what an unusual experience it is to envision someone else fulfilling the role, especially since it’s been years since I’ve seen the Gus Van Sant remake. The beauty of the comprehensive exam is that I can select the books I put on my lists (based on a unifying theme), and I was really excited to add Robert Bloch’s Psycho. Of course, I’ve seen the original movie many-a times, but I’ve never read the text, and like any horror fan, I was immediately interested in how the novel would compare with the film. I decided, then, to do what I did with The Shining. In “Let’s Not Overlook Anything” I blogged about the Shining in small increments and spent a considerable amount of blog space discussing one or two scenes. I decided I would do the same with the text Psycho – blog a little bit about each section as I read it. So this is my “insanely long series,” my observations about Bloch’s Psycho. And my first observation is that Bloch’s Norman Bates is fascinating.Continue reading “An Insanely Long Series: Reading Psycho Bit by Bit”
Tonight, I laughed at my imminent comp exam as I nestled in a couch corner and picked up a book of Edith Wharton’s ghost stories. Had I structured my exam differently, it’s quite possible these stories would have made the exam cut, but as it stands they’re only extra, unrelated reading that’s taking away from the time I’ve been devoting reading The Gothic: A Very Short Introduction (which, by the way, is incredibly interesting in and of itself, but a harder piece about which to write a post). My sister bought me Edith Wharton’s ghost stories last year for Christmas, but it’s taken me an entire year to write about one for my blog. This evening I sat down to a rather chilling tale called The Lady’s Maid’s Bell, and I decided I’d write a bit about it. According to the text’s introduction, this is Wharton’s most ambiguous ghost story, and after reading it, I think I can surmise why. Since it’s hard to write about a story in much detail without giving away the ending, this analysis will contain spoilers. If I were a better, or perhaps a more careful writer, I would be able to produce analysis without spoilers. But as it stands, I think I’ll have to say a fair deal about the story to analyze it.Continue reading ““The Lady’s Maid’s Bell”: An Overview”
Kalie is living in a state of perpetual business with all her PhD work, teaching, lesson planning, grading, and working her other job. So, sadly, she hasn’t had much time for blogging lately. We haven’t even finished The Haunting Of Hill House yet! (Although we’re close.) However, it’s Halloween and this is a horror blog so I thought a new post was needed. With that in mind, this was the perfect day (and the perfect site) to discuss Al Ewing’s new series The Immortal Hulk, a comic unflinchingly merging the superhero and horror genre to uniquely unnerve its readers. It is legitimately scary…but not in a jump-scare way. The title’s true horror comes with what it forces the reader to consider and the dark, psychological unease rising from such contemplation. Continue reading “The Immortal Hulk: Rooting for and Fearing the Monster Within”
As part of a fantastic Christmas gift, Michael tracked down some contributors to my “My First Fright Series,” a series on my blog which I happen to love. In this series, for which I started by writing about two of my earliest childhood fears, I ask other people to write about their earliest memories of feeling afraid. The results tend to be an interesting, surprising, eclectic group of terrors. I decided to save this one for the month of Halloween, since it has a really creepy vibe! So, before delving into my Christmas Gift “My First Fright,” I’d like to extend a tremendous thank-you to my boyfriend, Michael, at My Comic Relief and today’s contributor, Shanannigan’s,for a fantastic re-telling of a first fright. Continue reading “Shanannigan’s First Fright: “In a Dark, Dark Wood…””
I read Stephen King’s Misery earlier this summer for my comprehensive exams. Then, I let the book rest for a while and didn’t do much with it. It juxtaposes fascinatingly with the film, which depicts an Annie Wilkes who’s incredibly true to King’s story, courtesy of the monumentally talented Kathy Bates. And, like the film, it explores concepts like female madness, and madness depicted as monstrosity, but in more depth than the film does. Wilkes is at least a somewhat complex character who King—and his protagonist, Paul Sheldon—come close to virtually humanizing at times, despite her atrocious actions. But the fact remains: Annie Wilkes is a madwoman, and she’s depicted as a monstrous madwoman. I thought I’d use this post to look at more of Annie’s personality, and what the madwoman—and the monster woman—is, if we take Annie as an example of both. So, let’s do this. Continue reading “Objects of Abjection: The Mad Monster in Stephen King’s Misery”
A few nights ago, I decided to enjoy a little casual viewing of a horror classic. Christine, the story of the monster car, is a horror staple that, with a well-written script and believable characters, delivers ample entertainment without ever really terrifying the viewer—at least, if the viewer is me. Because Christine doesn’t situate itself in the realm of the typical horror movie, rife with ghouls and vampires and traditional monsters of all sorts. Christine – if you don’t know this, and you probably do – is about a vicious, killer car with unusual superpowers. I chose the film, as I’ve insinuated, because I think it’s a fun watch for a low-key night – nothing as scary, say, as watching Sinister. And unsurprisingly, as I watched the film, a few thoughts came to mind that made me ponder. Continue reading “Cruisin’ With Christine: Attack of the Monster Car”
As I’ve shared before, of the delightful Christmas presents Michael (at My Comic Relief) got me, one of my favorites was definitely a set of four “My First Fright” essays by fellow bloggers who were willing to contribute to my series. I unwrapped a manila folder and was thrilled to see its contents. Here, then, is one of those accounts, from Jeff at The Imperial Talker. Jeff’s first fright is a super-creepy story, and his blog is a way awesome collection of all things Star Wars, so I highly recommend checking it out!