Ahhhh, election year. This year, Americans get to see an irascible, iridescent orange man with floppy straw hair standing behind a podium spewing vitriol and grandiosity while waving (rumor has it) little sausage fingers. And his harlequin fantasies of “having them” build a wall to “protect” our border (somehow, “we’re not gonna build it, they’re gonna build it,” he asserts) and banning over one billion members of a major, 1,406-year-old religion from entering our country, while punishing women who seek abortions, might make some wonder, what will he think of next? There are myriad possibilities. While I don’t think what I’m about to suggest would actually happen, policy ideas like his make me imagine, wildly, that anything could happen. Perhaps he would legalize one night a year for murder, to let resentful Americans release their stores of seething hatred. And if that were to happen, we’ll have Ethan Hawke and The Purge series to thank, a semi-dystopian horror series about what would happen if all crime was legal for one night of the year, including the big “Red Rum.” Continue reading “Problematic Presumptions in The Purge”
What is justice? What makes right actions right? Is it ever right, under any circumstances, to take a life? How do we treat the folksy mantra, “an eye for an eye?” These are all questions that Eli Roth’s short story “Valdivia” raised when I finished it, a story from Jason Blum’s Blumhouse Book of Nightmares.
My “relationship” with Eli Roth’s work is an interesting one. I find myself fascinated by his films and the uncomfortable ground he’s willing to tread, though I’m often prone to critiquing seemingly problematic elements of his work. At least, such was the case after I saw The Green Inferno, and then again when I saw Knock Knock. I can’t really see myself being best buds with him but I’m always excited to see what he’ll do next. Even if my thinking tends to differ from his, he has an alluringly creative mind. From the vantage point of a horror fan, the dude’s seriously twisted, but in a good way. Which is why when I opened The Blumhouse Book of Nightmares last night I was immediately attracted to Roth’s name, next to the title of a 15-page short story called “Valdivia.” Continue reading “Shades of Grey: Seeking Justice in “Valdivia””
Robert Louis Stevenson does horror supremely with “the Body-Snatchers.” After all, what better sustenance for horror than a story about the illicit collection of corpses for money? In life, we all face situations where we have to choose between right and wrong. Sometimes, the right action is obscured, but usually the choice is clear. Only, the right action is difficult to take, for various reason. Such a conundrum becomes the impetus for further action in “The Body-Snatchers.” “The Body-Snatchers” is a gruesome story about the domino effect that follows a blatantly wrong choice, and the chooser’s concomitant fall. Continue reading “Snatch a Dose of Horror with “The Body-Snatchers””