Let me start by saying that the title of this piece isn’t really meant to be vituperative or condemning.  In fact, the word “insidious” might be a little strong for the point I’m trying to make (but, hey, I liked the sound of the title, and it’s kind of my blog…so…there you go).  I have made a critique of horror, before, on this blog, that the genre tends to be formulaic, that a truly original and artistic horror film, while possible (see The Witch, It Follows, etc.) is rare, and many horror films are startlingly similar.  And this is true.  But, far from continuing to condemn this tendency, in this post I’d like to celebrate the beauty of formula, when the director works well within a framework to create a really excellent film.  In doing so, I guess I’ll sort of be suggesting that much of contemporary horror gets a bad rap from – not even, but especially – its most avid, enthusiastic followers, when it need not.  A filmmaker can follow common horror tropes and eschew aiming for arthouse quality filmmaking without creating a bad film.  I believe this because I’ve invested some time in watching really bad horror, and I avoid, for the most part, posting about it, because there’s no point in simply slandering someone else’s efforts on a blog when I have little if anything nice to say.  So, today I praise Insidious.  While it’s a movie that follows some typical horror conventions, it’s a really fantastic, scary, fun movie, and one that says a lot of interesting things about the ghost or the specter. Continue reading “An Insidious Slander: In Praise of Insidious” →