A Howl for the Howling

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Marsha Quist, The Howling

It was another day of mild to moderate chaos at the local video store where I work.  Michael came in to procure movies that we would watch later that evening.  He held up a few options in front of me and prompted me to pick the one in which I was the most interested.  I immediately selected The Howling.  Having never seen the film, I’d only heard it alluded to briefly in Scream, and I knew only that it was a canonical werewolf movie.  I wasn’t really expecting to be scared, and to be honest, it didn’t scare me…that much.  The film was a lot more well-made and in general a lot creepier than I’d anticipated.  That aside, I kind of found myself wracking my brain for some sort of way to break the film apart or put it into perspective.  As I watched I scribbled down notes, but I wasn’t getting the insights I’d hoped for.  Despite my difficulties really analyzing this film, I think I’ll discuss in general why I like this movie, with an emphasis on the fact that it inverts the typical werewolf movie “rules” in a couple of ways and consistently highlights its own fixation on “the body” or “the flesh.” Continue reading “A Howl for the Howling”

A Howl for the Howling