N – Or the Frailty of the Non-Monster

n-picturePre-Reading Note:  My grad program has been time consuming, so I haven’t been able to post as regularly.  I hope to keep up a slightly more regular posting schedule, however, in coming weeks, my writing will be supplemented by the works of other bloggers who will add to my Walking Dead Series and/or write about their first frights! (Get excited!)

Funny Story: It took me a second perusal of the comic rendition Stephen King’s N to realize that the plot sits at the nexus of some of my favorite literary areas of exploration.  What – you were expecting a story that was literally funny?  Sorry to disappoint you.  This is a horror blog.  We don’t laugh here. Continue reading “N – Or the Frailty of the Non-Monster”

N – Or the Frailty of the Non-Monster

Warming Up to Horror? Try “August Heat”

August HeatAmong the most appealing elements of the horror genre is its diversity. I grow skeptical when people say they don’t like horror. I think there’s something in horror for everyone, an assertion that I hope my blog will prove, one day when I’ve been at this for a very long time. (Two weeks is hardly enough time to capture the intricacies and variety of the genre). You can, for instance, watch a mildly eerie old black and white film – maybe a Tod Browning – or watch someone’s limbs get torn off, shred by last sickening shred, in an Eli Roth film. You can read something as dark as Poe, or you can take a lighter, simpler helping of horror, say with the story “August Heat” by William Fryer Harvey. I read “August Heat,” last night, and thought it was a refreshing dose of abnormality. As a side-note, I’ve avoided major spoilers in this review. Continue reading “Warming Up to Horror? Try “August Heat””

Warming Up to Horror? Try “August Heat”

A Room for Dying: Space and Place in “The Masque of the Red Death”

masque 2Because it’s Halloween, a little Poe seemed apropos. To be honest, I was looking for a short number that I could read and write about quickly before enjoying the public viewing of Psycho accompanied by the Erie Orchestra’s rendition of the original score. And, my boyfriend, Michael, and I want to go out to dinner before the movie. So here’s something quick to chew on for Halloween: Edgar Allen Poe’s “The Masque of the Red Death” heightens the terrifyingly unknown nature of death by sticking death in what we can essentially call a “non-place” and inverting biblical references. Continue reading “A Room for Dying: Space and Place in “The Masque of the Red Death””

A Room for Dying: Space and Place in “The Masque of the Red Death”